At its best the Irish landscape is bright and strong, flickering with shadows and a half thought expectancy of its undoing that only enhances the moment. For the plein-air landscape painter the clarity of light is only matched by the struggle to catch each moment on canvas. Most landscape painters solve the problem of immediacy by working hard and fast, placing marks down in two’s and three’s that trip over themselves in random succession to in some way describe that living moment. As a landscape painter I work entirely plein-air, ‘in the open air’. This ...
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